Gorilla Daze

Allan Harvey on comics Silver Age and Bronze Age

Bleeding Between the Lines

Bleeding Between the Lines 10

DC and Young Romance

by Allan on March 2, 2013 at 4:24 pm
Posted In: DC, Romance Comics, Silver Age Comics

DC comics took over the publication of Young Love and Young Romance in 1963. They had previously been published by Prize. With them, DC brought its popular romance line to seven titles. Secret Hearts, Falling in Love, Girls’ Love Stories, Girls’ Romances, Heart Throbs and the two new comers continued to entertain their audience for another decade or so. From 1971 the line was gradually cut until, by 1975 only Young Love and Young Romance were left. Young Romance bit the dust that year—with co-creator of the whole romance genre, Joe Simon, at the helm—and mainstream comics finally bid a fond farewell to tear stained tableaux in 1977. Sob. Choke.

Back in the early 1960s though, when things were still going strong, the back covers were filled with lively advertisements were for all comics in the line. DC was still officially called National, and the link with DC was only obvious through the circular logo. The comics tended to be ad-free inside, though you might find the odd house ad extolling the virtues of Lois Lane, or some other female non-threatening fare.

Still, I love these. They’re really quite classy.

DC romance comics ad

DC Romance Comics ad

DC romance comics ad

DC romance comics ad

DC romance comics ad

 

Images ©2013 DC Comics

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The Alliterative Stan Lee

by Allan on February 21, 2013 at 2:19 pm
Posted In: Miscellaneous

Recently I was reading Twomorrows‘ excellent Stan Lee Universe. The book is essentially a collection of vintage interviews with The Man, mostly hailing from the 1960s and 70s. It’s a good read, full of interesting titbits and recollections. While perusing its pages I got to thinking about the characters Lee co-created during the heyday of the House of Ideas. Alliteration seems to be a big thing for him when it comes to names:

Fantastic Four

Reed Richards

Susan Storm

Doctor Doom

Bruce Banner / Bob Banner (!)

Peter Parker

Betty Brant

Robbie Robertson

J Jonah Jameson

Otto Octavius

Pepper Potts

Matt Murdoch

Mike Murdoch (don’t ask!)

Happy Hogan

Dum Dum Dugan

Paste Pot Pete

Madame Medusa

Silver Surfer

Balder the Brave

The Voluminous Volstagg

Scott Summers / Slim Summers

Warren Worthington III

Not that this is apropos of anything, but I just find it interesting. I’m sure there’s many more I’ve forgotten. And, yes, before anyone starts moaning, I know Kirby’s solo-created characters often had alliterative names (Mark Moonrider, Red Ryan, Buddy Blank, etc), so the naming scheme may have had his involvement.

Then again, perhaps Stan was just continuing a long comics tradition. After all, prior to Marvel there was Billy Batson, Freddy Freeman, Mary Marvel… and Clark Kent, of course. Speaking of Clark, his various girlfriends’ whole shtick was that they all had double-L as initials: Lois Lane, Lori Lemaris, Lana Lang, Lyla Lerrol.

Anyway. Stan Lee Universe. Good fun, and worth a look. For those still beating the horse, Lee does indeed credit Kirby and others with plotting/writing the comics during the 1960s.

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Kirby’s Kap

by Allan on February 17, 2013 at 3:53 pm
Posted In: Wondrous Ads

Jack Kirby, Captain America #192

Following a long and distinguished run by a writer of Steve Englehart’s calibre was never going to be easy. So, when Englehart abandoned Captain America, Marvel looked to deliver the book into a safe pair of hands.There were none safer, perhaps, than those of the star-spangled Avenger’s co-creator Jack Kirby. Kirby was returning to Marvel after a five-year stint at DC. Following a promising—even astonishing—start there with the Fourth World books in 1970, Kirby had become increasingly disillusioned. When the Fourth World had been cancelled in 1972, Kirby had made tentative overtures to Marvel about returning, but ultimately stayed put. His new concepts, such as Kamandi, the Demon and OMAC, were exciting, but a lot of the heart had gone.

By 1975, much of his DC output consisted of fill-ins and one-shots. Kirby was clearly just marking time until his contract expired. The work during that last year was frequently sloppy and lazy. Would anyone else get away with having five full splash pages in a 17-page comic? By contrast, the work Kirby turned in upon his return to Marvel was far and away improved. The King was reinvigorated and it showed in his art: much tighter, more dynamic. The idea of handling the reins of Captain America during the bi-centennial celebrations of 1976 clearly intrigued and delighted Kirby. And, consequently, the initial Madbomb saga is filled with wild concepts.

It didn’t take long for the complaints to start coming in. Kirby had no intention of following the “man without a country” notion. His Captain America would not be plagued with self-doubt. Unfortunately, as far as many fans were concerned, Marvel‘s Cap did have issues, and they felt short-changed by Kirby. It’s true that Kirby’s Captain America is a far less sophisticated book than Englehart’s, but it shouldn’t be condemned for that. For my money, Kirby’s run actually holds up better now than the material of a few years earlier. Englehart was concerned with current events, and the book reflected that to such a degree that it’s now dated. Kirby’s run, on the other hand, being largely simple action adventure, reads as timeless.

Kirby lasted on Captain America for 22 issues and two Annuals. A very respectable run. It may not have been to everyone’s taste, but Marvel were clearly excited to have Kirby back. This ad trumpets his return at the end of Captain America #192 (December 1975).

Image ©2013 Marvel Characters, Inc

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A Distant Soil Returns

by Allan on February 9, 2013 at 3:14 pm
Posted In: Miscellaneous

A Distant Soil, Colleen Doran

Solicited in the latest Previews, the long-awaited return of Colleen Doran’s science-fantasy epic A Distant Soil. Zip down to your favourite local comics emporium and order a copy—you won’t be disappointed.

Also worth a look is this Comic Book Resources article looking a the history of the series, some of the problems involved in bringing back to print—and my small part in restoring the series to its former glory!

http://www.comicbookresources.com/?page=article&id=43624

A Distant Soil TM & © 2013 Colleen Doran

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Captain Accessible

by Allan on February 6, 2013 at 3:21 pm
Posted In: Miscellaneous

Captain America #182, Englehart, Robbins

Captain America #182, February 1975

I’ve written previously how important this comic is to me. It was the first US comic I ever owned, and therefore the first super-hero story I ever saw in full colour.

I decided to give it a read again last night, just to see how it stood up. It’s been at least 20 years since I last read it, but, you know what? It still reads fine. Now, admittedly, I do know a thing or two about comics now that I didn’t know back in 1975, but the story here is clear and concise. Despite it coming near the end of a long saga, writer Steve Englehart makes sure to fill in the novice reader as the story goes along. There’s no scratching of head here, wondering just who that character is, or what this person’s motivation is.

What makes this all the more startling, is that, at the time, Captain America wasn’t even Captain America. For this issue, and the few previously, Cap had abandoned the old red, white and blue chain mail and the shield in favour of more drab gear. Thanks to his disillusionment with the Nixon regime, Cap had declared himself a man without a country and established a new identity as Nomad. Now, my young self had no notion of any of this, I was coming to it cold. And yet…

Captain America as Nomad, Frank Robbins

…it’s all perfectly clear. Right from page two, Englehart has Nomad castigated by two cops: “Does he think he’s Captain America or somethin’?” To which the struggling Nomand shouts, “Let me go! I am—” buts stops himself. And there we are. Right there I knew the set up, no more explanation necessary. It’s not like nowadays when you can read an eight issue mini-series and still have no idea who or what is going on. I really wish comics were still like this: accessible to all.

Things are cleared up even further later on, when for the last six pages Captain America shows up! It’s evident from the dialogue though that this isn’t the true Cap, it’s someone attempting to take his place. It’s all made beautifully transparent in Englehart’s script. Roscoe, the young imposter, speaks with a thick “Nu Yawk” accent, and the Falcon’s thoughts assert that this is a temporary arrangement intended to disabuse Roscoe of the notion that he can ever replace Cap. It ultimately cost Roscoe a heavy price—not that I found that out there on my sick bed.

Roscoe as Captain America, Frank Robbins

It was, of course, with some disappointment that I got to the end of the issue only to discover it was “to be continued”! Aaarrgghh! And I didn’t get to read the next part of the story for many, many years.

But that was the only downside. I loved Captain America #182 then, and I love it now. The overriding concern at Marvel then was to make sure that the comics were accessible. Any comic could potentially be someone’s first, and it would be good to cater to that audience. If it could be done unobtrusively through dialogue so much the better.

The big budget super-hero movies currently attract millions of paying customers with their easy-to-understand storylines, while the comics number their audience in the thousands. This is a lesson that perhaps current comics needs to appreciate—and learn from.

Images ©2013 Marvel Characters, Inc

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